SHORELINE SCHOOL DISTRICT
P – 12 Writing
Curriculum Review Team
Can writing be taught?
Absolutely! Writing is a skill that can be taught
to anyone, not just woeful poets or sports columnists. All of our students come to us with a
truckload of experiences, thoughts, and feelings from which they can draw as
writers. Furthermore, we, as teachers, employ a plethora of techniques,
activities, experiences, and ideas that can inspire and guide students to use
words to move the world.
What the Research Says about
Teaching Writing
We learn to write by
writing. It may seem painfully obvious that we learn to write better by writing
more. Research shows that regularly scheduled time for explicit instruction and practice is
necessary at all levels and content areas.
Assessment of writing
provides students with valuable feedback and enables teachers to design their
instruction. When assessing writing, it is important that students are aware of
the criteria -- which are dependent on the form, purpose, and audience -- prior
to turning in a final draft.
Fortunately,
more writing doesnŐt necessarily equal more assessment. Because the act of writing can be more
important than teacher assessment, teachers can feel justified in providing a
great quantity of writing opportunities without grading or even reading them
all. The experience of writing is sometimes enough.
Writing is a process.
Professional writers
scribble notes on napkins, pick up manuscripts years after having set them
down, and generally zip back and forth from brainstorming new ideas to
conducting spell check. Writing is a recursive process that comprises
prewriting, drafting, conferencing, revising, editing, and publishing. These
stages must be explicitly taught and reinforced often, recognizing that not all
writing must be taken to publication. If we are to help our students become
effective, life-long writers, we must encourage them to revisit any stage as
they work on a composition -- even occasionally abandoning a piece in favor of
a new idea.
Writing is risky.
Outside of public speaking
and crab soccer, writing can be the most terrifying ordeal that students face
during the course of their school day.
While some students joyfully jump into their writing, anyone who has
ever stared at a blank page or empty screen in frustration can attest to the
feeling of standing atop a high dive while your friends stare in anticipation
below.
In order to help more of our
students enjoy the thrill of the plunge, we need to create a classroom
community which supports students, rewards progress, provides experiences, and
models success. Teachers can do this by using examples of good writing and
modeling what he/she wants good student writing to look like. Seeing a teacher
taking risks, editing work, and exploring new ideas, students will have more
incentive to do likewise.
Teachers who
write are better teachers of writing.
Teachers develop
as writers through ongoing professional development and reflection. Professional development should provide
time for teachers to write in their content areas. For example, science teachers might traipse off into the
woods to record their observations, say; of how much weight a slug can pull as
a way to experience first-hand what they expect their students to do. As a result of teachersŐ own triumphs
and struggles as writers they will be better equipped to shepherd their
students through the writing process.
Teachers need
help.
Effective writing
instruction requires sophisticated management structures for student
conferencing, peer editing, feedback, portfolio construction, and reflection.
Teachers need ongoing professional development and time to make this possible,
creating the lessons and mechanisms for focusing on words and ideas within an
atmosphere of confidence and creativity. In addition, teachers can use other
adult resources within the school (librarians, paraprofessionals, volunteers,
etc.) to help support these structures.
To coax our students to take
the plunge as writers, teachers need to give them compelling reasons to do
so. Students will write if there
is an authentic purpose and audience.
We write to engage in self-discovery, make social connections, contribute
to civil discourse, communicate professionally and academically, and
contemplate the beauty of life.
The more varied and
personally significant the purposes and audiences, the better and more profound
our studentsŐ writing and thinking will become. As a result, students must
become fluent in many forms of writing.
Writing a poem, a tall tale, or a myth requires different forms,
structures, and skills than writing a research paper, e-mail, or a letter to
the editor.
Teaching the
traits of writing is essential.
Since our
students develop as writers throughout their time in school, it is important
that we use a common language when discussing writing. The traits of writing (voice, ideas,
organization, conventions, sentence fluency, word choice and presentation)
provide us with this common language and should be taught explicitly and
applied across content areas with plenty of time for students to use these
terms as they talk about their own and othersŐ writing.
Ideas should
precede word choice, organization and sentence fluency. It is imperative that we first focus on
supporting our students in developing their ideas and then later go back and
help them organize and refine their writing. Certainly, conventions
(grammar/usage, mechanics, spelling) of writing are important to readers and
must therefore be a focus for writers; however, to develop fluency, instruction
in conventions should take place in the context of authentic writing rather
than in isolated grammar drills.
As a part of
presentation, handwriting (print and cursive) plays an important role.
Instruction should be explicit with time given for students to develop. Writers
who achieve handwriting competency become more confident as writers, able to
give cognitive focus to content and ideas. Students should develop proficient
word processing skills and fluency in using a variety of computer applications
to publish their writing.
Writing, reading,
speaking and listening are related.
Writing, reading, speaking
and listening are interdependent.
It is difficult to write a science fiction story if the writer has never
read or heard authors such as Bradbury or Asimov. Conversely, if students only read or hear tall tales theyŐll
lack models for other forms of writing. Students need a balance of broad and
deep exposure to various forms of text.
Making connections between what we read, hear, say and write allows
students to communicate in many forms.
A committee of P-12
educators has created this research-based document. Its intent is to guide decision-making about writing
curriculum, instruction, assessment and professional development at the
classroom, building and district levels.